Goldblood by JFK Løvlien — Book 3 of The Feeder Series, 1970s Brazil jungle thriller, cocaine smuggler origin story, crime noir
Goldblood by JFK Løvlien — Book 3 of The Feeder Series, 1970s Brazil jungle thriller, cocaine smuggler origin story, crime noir
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Dear reader. Time to mix yourself a Caipirinha and strap up. This shit will blow your mind.

January 1, 1970. La Ceja, Colombia. Pablo Escobar hands John Martin 380 kilos of pure cocaine and takes a briefcase of $3.8 million in cash. Then the Patrón gifts him a machete with the words para los problemas engraved on the blade.

That night, the Cessna's right engine catches fire over the Brazilian jungle. The parachute fails on the first pull. Opens on the second.

Martin recovers the cocaine from the wreckage just before the fuel tank erupts. A banana spider finds him unconscious. He splashes Jameson on the wound, falls down a ravine, and slides into grey quicksand.

A young tribeswoman named Anaiá lassoes him out.

Her people are called Os Ocultos. The Hidden Ones. The shaman drives a tapir bone needle through Martin's ribs into his heart. The mixture is called Kaluri. Most men die.

John Martin lives.

The tribe has a name for what runs in their veins under the full moon.

Goldblood.

Anaiá warns him to mask his scent and hide at three in the morning. Martin watches the tribe tear apart an Englishman with their teeth and drink him to the bone.

And inside their mountain sleeps a fortune in gold the world doesn't know about.

By the end of the year, John Martin returns with soldiers. He drags Anaiá's father from his bed. He kills him in front of her. He kills her mother. He kills her people. He takes the mountain. And the one beside it.

The cocaine, it turns out, is the smaller fortune.

At the Café Martinique in Nassau, Elizabeth Taylor, in lavender silk, throws her drink in Richard Burton's face. Burton tells Martin he's rich as a bitch. Sophia Loren takes his arm for the rhumba. Roger Moore leaves with Luisa Mattioli. Ursula Andress kisses Burton's forehead.

Hemingway smiles down from a framed photograph in his Key West villa. Jim Morrison stares from another.

Then Diahann Carroll takes him by yacht to a forgotten island. Down into an underground kitchen where Mahalo plays Bitches Brew on a Gibson Hummingbird. Mama Rena, a CIA fortune teller, deals him a deck he has never seen before. She tells him a number.

317.

She tells him his reality is not real. She tells him he has been here before.

Then comes Pastor Babas. A voodoo priest in a red robe embroidered with eagles. A glass of wine drugged with a fungus that enslaves an entire town. He has been waiting for John Martin for a very long time.

What follows is three hundred kilometers of the Amazon by canoe. Past alligators with eyes like rusted gates. Into a tunnel where a spider the size of a Volkswagen corners Martin and his driver, Hailson. Through a Quilombola settlement that may or may not still be human.

And the priest is the smaller demon. The bigger one is waiting in a Mind Room beneath a Greek lighthouse, and it has been there since ancient Egypt.

And in his mother's last letter, hidden under a stone in an Oslo garden, John Martin learns the truth about who he really is — and where his bloodline leads.

Real history is the cover story.

Pablo Escobar. Roger Reaves. Richard Burton. Elizabeth Taylor. Sophia Loren. Roger Moore. Ursula Andress. Peter O'Toole. Diahann Carroll. Ernest Hemingway. Jim Morrison. Miles Davis. Howlin' Wolf.

Written in the muscular tradition of Wilbur Smith, Ian Fleming, and Robert Anton Wilson — and pushed past the line where any of them ever dared go.

For readers of The Power of the Dog, Where Eagles Dare, and The Illuminatus! Trilogy.

Book 3 of The Feeder Series. The chronological second act of the Martin dynasty saga.

Power. Blood. Desire. The deep state isn't a theory. It's a bloodline.

Goldblood

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New Print: Perfect Bound

Perfect Bound
New Print: Perfect Bound
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Categorias: The Feeder Series

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Frequentemente comprados juntos

  • 5 stars: 6 (86%)
  • 4 stars: 1 (14%)
  • 3 stars: 0 (0%)
  • 2 stars: 0 (0%)
  • 1 star: 0 (0%)
M
Megan Trask

Downloaded this for a long flight and didn't look up once. Not even for the drinks cart. The pacing is insane — once you're in, you're in. What I loved most was how the book handles John Martin's transformation. He doesn't just become powerful overnight. The jungle breaks him first. The shaman rebuilds him. Then Joanna gives him something to fight for. By the time he's running an empire you actually understand how he got there. It earns it. The writing is clean and simple in the best way — no wasted words. Five stars easy. Already telling everyone at book club about it and yes we are a mixed group, this isn't just for blokes.

T
Thierry Marchand

I don't understand how this isn't a TV show yet. The plane crash, the jungle survival, the rise to power through drugs and diamonds and sheer willpower — it's made for the screen. Joanna's introduction is awesome. A former militia fighter from the Amazon who becomes John Martin's wife and the operational backbone of his empire. She's not decoration, she runs things. The Brazil setting feels authentic, not like someone googled it. The author clearly knows the country. Five stars, no hesitation. Arrived in Belgium in about two weeks. Already bought Alien AI.

A
Alyssa Chen

Read The Feeder first and kept wondering how John Martin became who he is. Goldblood answers everything. The 1970s setting is perfect — raw, lawless, dangerous. The Goldblood tribe sequences feel almost mythical, like you're reading something ancient mixed with a crime thriller. Lene Hagen is a standout — a Norwegian diplomat spying on the man she falls for. That tension between duty and love is really well done. Four stars only because I felt the middle section with the cartel politics dragged slightly. But the final act is explosive. Worth it.

G
Graham Whitfield

This book put me in the jungle. I could feel the rain, the mud, the danger. John Martin's plane going down loaded with cocaine and him crawling out of the wreckage into the unknown — what a way to start. The shaman and the tribeswoman who save him aren't just plot devices either, they're proper characters with their own weight. Watching John go from a broken man in the dirt to the most powerful person on the planet is a hell of a ride. The writing doesn't mess about. Short, sharp sentences when the tension ramps up. Loved every page. Shipping to Scotland took 11 days.

P
Patrick Dufresne

I've read a lot of thriller series — Reacher, Bourne, Gabriel Allon — and The Feeder Series is genuinely different. It's got the action and the conspiracy stuff but wrapped in this world of extreme wealth, fashion, sex, and power that you don't see in other thrillers. JFK calls it Luxe Noir and honestly it fits perfectly. Each book can be read on its own which is nice. My favourite is probably Goldblood because the origin story is just epic. Bruce and Camilla Martin's backstory is hinted at and I'm dying to know more.

E
Erik Lindqvist

Picked up Goldblood first because the 1970s Brazil setting caught my eye. It reads like a movie. The crash scene, the jungle survival, the rise to power — the pacing is relentless. When the action starts, the sentences get shorter and everything moves faster. You can feel the author shifting gears deliberately. The Goldblood tribe sequences were fascinating. My only small complaint is that some of the luxury descriptions slowed things down a bit for me, but I think that's intentional — it's the style. Four stars. Will read The Feeder next.

D
Dave Kowalski

Goldblood blew my mind. A cocaine plane crashing in Brazil in 1970, a shaman, a tribe — and somehow that becomes the origin story of the most powerful man in the world? The writing is simple and direct when it needs to be, especially during the action sequences, but then shifts into this rich, luxurious style when describing the settings and the lifestyle. You can tell the author knows Brazil. Ordered the paperback and it arrived in about two weeks to the US. Quality is solid. Going to read Alien AI next even though sci-fi isn't usually my thing.